Abstract Is a Deceptive Form of Explanation for Pictures Painted

How His Emotional World Influences His Paintings? Abstract is a deceptive form of explanation for the pictures painted by Zao Wou-ki, it would be perfect to say that the images painted by Zao Wou-ki hovers between abstract and nature. Zao,s maximum painting is based on the representation of the Chinese landscape. The career of Zao Wou-ki is definite by way through which Zao reinterpreted Eastern rudiments from 16 th hundred century of Yuan Dynasty and Sung landscape paintings[1]. Zao intermingled the natural essences these works in combination with the Western oil paints. The prints and paintings of an artist have apparently avoided schema of forms from a landscape, expressing in a way of abstract emotion of the reflections, colors, land harmony, energy, sky, sea and earth. In an International auction Zao received the highest price for his work in the month of April 2013, due its beautiful and splendid use of blue oil painting of the imaginary landscape. He was one of the most traditional Chinese painter in the 20 th century and 21 st century. The painting sold for nearly around USD 4 million at Hong Kong in the month of April, 2013. Though the blue colour was one of the favourite colours used by Zao Wou-Ki, his blue paintings are very famous, and the paintings are also very rare. The famous painter used this blue colour to signify llakes and river in his paintings. Zao Wou-Ki passed away after three days of his best sale. In current period of time, the demand of Zao's lithographs and art in the secondary and primary market is to increasing among collectors irrespective or East or West. Zao Wou-Ki paintings is about the worldly and emotional experiences in which Zao himself is concerned. The world Zao summons up is not entirely detached or different from him. For this cause, Zao's paintings most of the time be read in dual directions, either as an environment of evocation macrocosmic of experience or as expressions of a sincerely personal topography. The last measurement is an abstract aspect about which modern painters in West incline to be different, perhaps dreading the charge of a romanticism of carrier grade[2]. The obligation to the abstract paintings monitored his stay in U.S, where Zou encountered expressionism of abstracts first-hand at the peak of his career. Grasped by it to promise himself physically more to the landscape. Zou worked on a painting in an apparent gestural performance and was careful in constructing fact comparison with the first wife's pictures. Until around 1972 he explored the several possibilities of his tactic, in painting which were latter done a larger scale. On the one side, Zou pushed his previous mood to the final effect of drama, nearly as if looking to encourage himself which it could grip his attention forever. But alongside he has taken the ink painting once more[3]. He had educated to grasp the Chinese brush in his childhood with tremendous achievement and with a certain recurrent influence on his training of oil painting. [1] Russell, Heather. 2013. "Nature And The Art Of Zao Wou-Ki". Art World. https://news.artnet.com/art-world/nature-and-the-art-of-zao-wou-ki-49681. [2] Hay, Jonathan. 2003. "Zao Wao-Ki". https://www.nyu.edu/gsas/dept/fineart/people/faculty/hay_PDFs/contemporary/Zao-Wou-ki.pdf. [3] Hay, Jonathan. 2003. "Zao Wao-Ki". https://www.nyu.edu/gsas/dept/fineart/people/faculty/hay_PDFs/contemporary/Zao-Wou-ki.pdf.